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		<title>Media Resources Center, UC Berkeley</title>
		<link>http://blogs.lib.berkeley.edu/mrc.php</link>
		<description>Media Resources Center, Moffitt Library, UC Berkeley</description>
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			<title>New and Cool from the 2009 National Media Market</title>
			<link>http://blogs.lib.berkeley.edu/mrc.php/2009/11/02/new-and-cool-from-the-national-media-mar-1</link>
			<pubDate>Mon, 02 Nov 2009 21:30:49 +0000</pubDate>			<dc:creator>ghandman</dc:creator>
			<category domain="main">New Acquisitions of Note</category>			<guid isPermaLink="false">3485@http://blogs.lib.berkeley.edu/</guid>
						<description>&lt;p&gt;Times are hard, and travel funding is hard to come by.  This year, instead of making our usual trek to the National Media Market (held again in Lexington, KY) (http://www.nmm.net/), we attended virtually.  One of our favorite distributors sent us a large care package of new titles to preview back in Berkeley.  In other cases we had to make due with online trailers and/or web catalog descriptions.  As usual, this year's NMM offerings included dozens of provocative, moving, and insightful documentaries.  The titles below are just a sampling of those titles acquired for the MRC collection. &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Black Sun&lt;/strong&gt;   &lt;br /&gt;
A Film by R&amp;#252;diger S&amp;#252;nner&lt;br /&gt;
A history of the esoteric ideas and myths that served as a breeding ground for Nazi ideology and inspired Adolf Hilter. &lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/blogpix/bs.jpg&quot; alt=&quot;&quot; width=&quot;200&quot; height=&quot;204&quot; align=&quot;left&quot; /&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;The Nine Lives of Norodom Sihanouk&lt;/strong&gt;&lt;br /&gt;
A Film by Gilles Cayatte &lt;br /&gt;
The life story of Norodom Sihanouk, by turns Cambodia's King, Prime Minister, Prince, Head of State for Life, Exile, and Prisoner. &lt;/p&gt;&lt;p&gt;
&lt;br /&gt;
&lt;strong&gt;Mechanical Love&lt;/strong&gt; &lt;br /&gt;
A Film by Phie Ambo &lt;br /&gt;
As increasingly life-like robots move from science labs and factories into our homes, how will human beings interact with these machines?&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Malls R Us&lt;/strong&gt; A Film by Helene Klodawsky From impressive&lt;br /&gt;
architectural projects to economic, environmental and social concerns,&lt;br /&gt;
everything about shopping malls, and more.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;In Search of Memory: &lt;span class=&quot;subtitle1&quot;&gt;The Neuroscientist Eric Kandel &lt;/span&gt;&lt;/strong&gt;A Film by Petra Seeger.&lt;br /&gt;
		The life and work of one of the most important neuroscientists of the 20th century, Nobel Prize winner Eric Kandel. &lt;/p&gt;&lt;p&gt;&amp;#160;&lt;strong&gt;Homo Toxicus&lt;/strong&gt; &lt;br /&gt;
Dir. Carole Poliquin&lt;br /&gt;
Explores the links between the hundreds of toxic pollutants in our environment and increasing health problems.&lt;br /&gt;

&lt;/p&gt;&lt;p&gt;&amp;#160;&lt;strong&gt;The Inheritors&lt;/strong&gt; &lt;br /&gt;
A Film by Eugenio Polgovsky &lt;br /&gt;
An immersion in the daily life of children in Mexico who, with their families, survive only by their unrelenting labor. &lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/blogpix/her2.jpg&quot; alt=&quot;&quot; width=&quot;250&quot; height=&quot;129&quot; /&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Virtual JFK&lt;/strong&gt; &lt;br /&gt;
Dir. Koji Masutani&lt;br /&gt;
A filmic examination of &amp;quot;virtual history.&amp;quot; What would Kennedy have done in Vietnam if he had lived and been re-elected in 1964?&lt;br /&gt;

&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Milking the Rhino&lt;/strong&gt; &lt;br /&gt;
Dir. David E. Simpson&lt;br /&gt;
The promise of community-based conservation in Africa.&lt;br /&gt;

&lt;/p&gt;&lt;p&gt;&lt;strong&gt;The Moroccan Labyrinth&lt;/strong&gt;&lt;br /&gt;
- The little-known history of Spain's bloody colonial ambitions in&lt;br /&gt;
North Africa, and how they became a prelude to the Spanish Civil War.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/blogpix/mor3.jpg&quot; alt=&quot;&quot; width=&quot;200&quot; height=&quot;144&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Secret Museums&lt;/strong&gt;&lt;br /&gt;
- For millenia erotic art has been created, often by some of the&lt;br /&gt;
world's best-known artists. But it is rarely on public display. &lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/blogpix/secret.jpg&quot; alt=&quot;&quot; width=&quot;220&quot; height=&quot;147&quot; /&gt; &lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://blogs.lib.berkeley.edu/mrc.php/2009/11/02/new-and-cool-from-the-national-media-mar-1&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://b2evolution.net/&quot;&gt;b2evolution&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p>Times are hard, and travel funding is hard to come by.  This year, instead of making our usual trek to the National Media Market (held again in Lexington, KY) (http://www.nmm.net/), we attended virtually.  One of our favorite distributors sent us a large care package of new titles to preview back in Berkeley.  In other cases we had to make due with online trailers and/or web catalog descriptions.  As usual, this year's NMM offerings included dozens of provocative, moving, and insightful documentaries.  The titles below are just a sampling of those titles acquired for the MRC collection. </p><p><strong>Black Sun</strong>   <br />
A Film by R&#252;diger S&#252;nner<br />
A history of the esoteric ideas and myths that served as a breeding ground for Nazi ideology and inspired Adolf Hilter. </p><p><img src="http://www.lib.berkeley.edu/MRC/blogpix/bs.jpg" alt="" width="200" height="204" align="left" /> </p><p><strong>The Nine Lives of Norodom Sihanouk</strong><br />
A Film by Gilles Cayatte <br />
The life story of Norodom Sihanouk, by turns Cambodia's King, Prime Minister, Prince, Head of State for Life, Exile, and Prisoner. </p><p>
<br />
<strong>Mechanical Love</strong> <br />
A Film by Phie Ambo <br />
As increasingly life-like robots move from science labs and factories into our homes, how will human beings interact with these machines?</p><p><strong>Malls R Us</strong> A Film by Helene Klodawsky From impressive<br />
architectural projects to economic, environmental and social concerns,<br />
everything about shopping malls, and more.</p><p><strong>In Search of Memory: <span class="subtitle1">The Neuroscientist Eric Kandel </span></strong>A Film by Petra Seeger.<br />
		The life and work of one of the most important neuroscientists of the 20th century, Nobel Prize winner Eric Kandel. </p><p>&#160;<strong>Homo Toxicus</strong> <br />
Dir. Carole Poliquin<br />
Explores the links between the hundreds of toxic pollutants in our environment and increasing health problems.<br />

</p><p>&#160;<strong>The Inheritors</strong> <br />
A Film by Eugenio Polgovsky <br />
An immersion in the daily life of children in Mexico who, with their families, survive only by their unrelenting labor. </p><p><img src="http://www.lib.berkeley.edu/MRC/blogpix/her2.jpg" alt="" width="250" height="129" /> </p><p><strong>Virtual JFK</strong> <br />
Dir. Koji Masutani<br />
A filmic examination of &quot;virtual history.&quot; What would Kennedy have done in Vietnam if he had lived and been re-elected in 1964?<br />

</p><p><strong>Milking the Rhino</strong> <br />
Dir. David E. Simpson<br />
The promise of community-based conservation in Africa.<br />

</p><p><strong>The Moroccan Labyrinth</strong><br />
- The little-known history of Spain's bloody colonial ambitions in<br />
North Africa, and how they became a prelude to the Spanish Civil War.</p><p><img src="http://www.lib.berkeley.edu/MRC/blogpix/mor3.jpg" alt="" width="200" height="144" /></p><p><strong>Secret Museums</strong><br />
- For millenia erotic art has been created, often by some of the<br />
world's best-known artists. But it is rarely on public display. </p><p><img src="http://www.lib.berkeley.edu/MRC/blogpix/secret.jpg" alt="" width="220" height="147" /> </p><div class="item_footer"><p><small><a href="http://blogs.lib.berkeley.edu/mrc.php/2009/11/02/new-and-cool-from-the-national-media-mar-1">Original post</a> blogged on <a href="http://b2evolution.net/">b2evolution</a>.</small></p></div>]]></content:encoded>
								<comments>http://blogs.lib.berkeley.edu/mrc.php/2009/11/02/new-and-cool-from-the-national-media-mar-1#comments</comments>
		</item>
				<item>
			<title>New Online Media Projects at MRC</title>
			<link>http://blogs.lib.berkeley.edu/mrc.php/2009/10/05/new-online-media-projects-at-mrc</link>
			<pubDate>Mon, 05 Oct 2009 20:04:00 +0000</pubDate>			<dc:creator>ghandman</dc:creator>
			<category domain="main">New Acquisitions of Note</category>			<guid isPermaLink="false">3334@http://blogs.lib.berkeley.edu/</guid>
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&lt;![endif]--&gt;&lt;pre&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;The &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Media&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Resources&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Center&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; is proud to announce the unveiling of two&lt;br /&gt;significant new online audio collections:&lt;br /&gt;&lt;/span&gt;&lt;/pre&gt;&lt;pre&gt;&amp;#160;&lt;/pre&gt;&lt;pre&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;&lt;strong&gt;Michel Foucault Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The most comprehensive collection to date of online audio recordings of&lt;br /&gt;lectures and courses by the renowned French philosopher and historian,&lt;br /&gt;Michel Foucault.&lt;span&gt;&amp;#160; &lt;/span&gt;The English language collection features two lecture&lt;br /&gt;series delivered at UC Berkeley in the 1980&amp;#8217;s on Truth and Subjectivity&lt;br /&gt;and Parrhesia.&lt;span&gt;&amp;#160; &lt;/span&gt;The French language collection offers five complete&lt;br /&gt;semester length courses, covering such quintessentially Foucauldian&lt;br /&gt;concepts as Parrhesia, governmentality, neoliberalism, security,&lt;br /&gt;biopolitics, and sovereignty.&lt;span&gt;&amp;#160; &lt;/span&gt;The collection includes recordings spanning&lt;br /&gt;two decades of thought and instruction, including Foucault&amp;#8217;s final 1984&lt;br /&gt;course at the Coll&amp;#232;ge de France.&lt;br /&gt;&lt;br /&gt;All recordings can be accessed from the Michel Foucault Audio Archive,&lt;br /&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/foucault/mfaa.html&quot; target=&quot;_blank&quot;&gt;http://www.lib.berkeley.edu/MRC/foucault/mfaa.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This collection was generously donated to the &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Media&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Resources&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Center&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; by&lt;br /&gt;Paul Rabinow, Professor of Social Cultural Anthropology and digitized and&lt;br /&gt;edited by Gis&amp;#232;le Binder, Operations Supervisor, &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Media&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Resources&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Center&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;UCB/Pacifica Radio Archives LGBT History Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;In continuing partnership with the Pacifica Radio Archives&lt;br /&gt;(&lt;a href=&quot;http://www.pacificaradioarchives.org/&quot; target=&quot;_blank&quot;&gt;http://www.pacificaradioarchives.org/&lt;/a&gt;), the &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Media&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Resources&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Center&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; has&lt;br /&gt;digitized over 20 hours of programming related to LGBT history and culture&lt;br /&gt;that originally aired on &lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;Pacifica&lt;/span&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt; radio from 1958 to 1998.&lt;span&gt;&amp;#160; &lt;/span&gt;The digitized&lt;br /&gt;materials have been incorporated into a new MRC web site devoted to the&lt;br /&gt;project: &lt;a href=&quot;http://www.lib.berkeley.edu/MRC/pacificalgbt/pacificalgbt2.html&quot; target=&quot;_blank&quot;&gt;http://www.lib.berkeley.edu/MRC/pacificalgbt/pacificalgbt2.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The work of identifying, preserving, and digitizing materials in the&lt;br /&gt;Pacifica Archives was largely accomplished by Joe Gallucci, an intern in&lt;br /&gt;the NYU Moving Image Archiving and Preservation program.&lt;span&gt;&amp;#160; &lt;/span&gt;Over a ten week&lt;br /&gt;period, Joe worked with staff in both the Parcifica Archives and MRC to&lt;br /&gt;develop and implement this project.&lt;/span&gt;&lt;/pre&gt;

&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-family: 'Bookman Old Style'&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://blogs.lib.berkeley.edu/mrc.php/2009/10/05/new-online-media-projects-at-mrc&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://b2evolution.net/&quot;&gt;b2evolution&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
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<![endif]--><pre><span style="font-family: 'Bookman Old Style'">The </span><span style="font-family: 'Bookman Old Style'">Media</span><span style="font-family: 'Bookman Old Style'"> </span><span style="font-family: 'Bookman Old Style'">Resources</span><span style="font-family: 'Bookman Old Style'"> </span><span style="font-family: 'Bookman Old Style'">Center</span><span style="font-family: 'Bookman Old Style'"> is proud to announce the unveiling of two<br />significant new online audio collections:<br /></span></pre><pre>&#160;</pre><pre><span style="font-family: 'Bookman Old Style'"><strong>Michel Foucault Collection</strong><br /><br />The most comprehensive collection to date of online audio recordings of<br />lectures and courses by the renowned French philosopher and historian,<br />Michel Foucault.<span>&#160; </span>The English language collection features two lecture<br />series delivered at UC Berkeley in the 1980&#8217;s on Truth and Subjectivity<br />and Parrhesia.<span>&#160; </span>The French language collection offers five complete<br />semester length courses, covering such quintessentially Foucauldian<br />concepts as Parrhesia, governmentality, neoliberalism, security,<br />biopolitics, and sovereignty.<span>&#160; </span>The collection includes recordings spanning<br />two decades of thought and instruction, including Foucault&#8217;s final 1984<br />course at the Coll&#232;ge de France.<br /><br />All recordings can be accessed from the Michel Foucault Audio Archive,<br /><a href="http://www.lib.berkeley.edu/MRC/foucault/mfaa.html" target="_blank">http://www.lib.berkeley.edu/MRC/foucault/mfaa.html</a><br /><br />This collection was generously donated to the </span><span style="font-family: 'Bookman Old Style'">Media</span><span style="font-family: 'Bookman Old Style'"> </span><span style="font-family: 'Bookman Old Style'">Resources</span><span style="font-family: 'Bookman Old Style'"> </span><span style="font-family: 'Bookman Old Style'">Center</span><span style="font-family: 'Bookman Old Style'"> by<br />Paul Rabinow, Professor of Social Cultural Anthropology and digitized and<br />edited by Gis&#232;le Binder, Operations Supervisor, </span><span style="font-family: 'Bookman Old Style'">Media</span><span style="font-family: 'Bookman Old Style'"> </span><span style="font-family: 'Bookman Old Style'">Resources</span><span style="font-family: 'Bookman Old Style'"> </span><span style="font-family: 'Bookman Old Style'">Center</span><span style="font-family: 'Bookman Old Style'">.<br /><br /><strong>UCB/Pacifica Radio Archives LGBT History Collection</strong><br /><br />In continuing partnership with the Pacifica Radio Archives<br />(<a href="http://www.pacificaradioarchives.org/" target="_blank">http://www.pacificaradioarchives.org/</a>), the </span><span style="font-family: 'Bookman Old Style'">Media</span><span style="font-family: 'Bookman Old Style'"> </span><span style="font-family: 'Bookman Old Style'">Resources</span><span style="font-family: 'Bookman Old Style'"> </span><span style="font-family: 'Bookman Old Style'">Center</span><span style="font-family: 'Bookman Old Style'"> has<br />digitized over 20 hours of programming related to LGBT history and culture<br />that originally aired on </span><span style="font-family: 'Bookman Old Style'">Pacifica</span><span style="font-family: 'Bookman Old Style'"> radio from 1958 to 1998.<span>&#160; </span>The digitized<br />materials have been incorporated into a new MRC web site devoted to the<br />project: <a href="http://www.lib.berkeley.edu/MRC/pacificalgbt/pacificalgbt2.html" target="_blank">http://www.lib.berkeley.edu/MRC/pacificalgbt/pacificalgbt2.html</a><br /><br />The work of identifying, preserving, and digitizing materials in the<br />Pacifica Archives was largely accomplished by Joe Gallucci, an intern in<br />the NYU Moving Image Archiving and Preservation program.<span>&#160; </span>Over a ten week<br />period, Joe worked with staff in both the Parcifica Archives and MRC to<br />develop and implement this project.</span></pre>

<p class="MsoNormal"><span style="font-family: 'Bookman Old Style'">&#160;</span></p></div><div class="item_footer"><p><small><a href="http://blogs.lib.berkeley.edu/mrc.php/2009/10/05/new-online-media-projects-at-mrc">Original post</a> blogged on <a href="http://b2evolution.net/">b2evolution</a>.</small></p></div>]]></content:encoded>
								<comments>http://blogs.lib.berkeley.edu/mrc.php/2009/10/05/new-online-media-projects-at-mrc#comments</comments>
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			<title>While You Were Away, Lolling on the Beaches of Summer...</title>
			<link>http://blogs.lib.berkeley.edu/mrc.php/2009/08/28/while-you-were-away-lolling-on-the-beach</link>
			<pubDate>Fri, 28 Aug 2009 22:44:50 +0000</pubDate>			<dc:creator>ghandman</dc:creator>
			<category domain="main">New Acquisitions of Note</category>			<guid isPermaLink="false">3167@http://blogs.lib.berkeley.edu/</guid>
						<description>&lt;p&gt;MRC never sleeps (well, OK, we don't generally work on nites and weekends...and there is that nasty business of UC furloughs to consider).&amp;#160; Over the course of the summer, we were busy trying to cope with the library's new catalog (aka OskiCat), developing new digital projects (stay tuned!), and cranking out new MRC web resources.&amp;#160; Check out a few of the latter below:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/comedybib.html&quot;&gt;Bibliography of books/articles in the UCB library on film comedy&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/philosophymovies.html&quot;&gt;Philosophy and the Movies bibliography &lt;br /&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/comedybib.html&quot;&gt;Comedy Film bibliography&lt;/a&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/philosophymovies.html&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/filmpublicationsucb.html&quot;&gt;Bibliography of UC Berkeley faculty publications in film and media studies&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/aging.html&quot;&gt;Videography of documentaries related to aging and the elderly&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/elderlypix.html&quot;&gt;Videography of movies featuring the elderly &lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/socialclass.html&quot;&gt;Social Class in the Movies videography&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/shorts.html&quot;&gt;Videography of short films in the MRC collection &lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/screenwriters.html&quot;&gt;Videography of films by notable screenwriters&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;And just for the hell of it:&lt;/p&gt;&lt;p&gt;&amp;#160;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/musicmovies.html#appearances&quot;&gt;Movie Appearances and Cameos by Musicians&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/dancerdark.jpg&quot; alt=&quot;&quot; width=&quot;200&quot; height=&quot;291&quot; /&gt; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://blogs.lib.berkeley.edu/mrc.php/2009/08/28/while-you-were-away-lolling-on-the-beach&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://b2evolution.net/&quot;&gt;b2evolution&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p>MRC never sleeps (well, OK, we don't generally work on nites and weekends...and there is that nasty business of UC furloughs to consider).&#160; Over the course of the summer, we were busy trying to cope with the library's new catalog (aka OskiCat), developing new digital projects (stay tuned!), and cranking out new MRC web resources.&#160; Check out a few of the latter below:</p><ul><li><a href="http://www.lib.berkeley.edu/MRC/comedybib.html">Bibliography of books/articles in the UCB library on film comedy</a></li></ul><ul><li><a href="http://www.lib.berkeley.edu/MRC/philosophymovies.html">Philosophy and the Movies bibliography <br /></a></li></ul><ul><li><a href="http://www.lib.berkeley.edu/MRC/comedybib.html">Comedy Film bibliography</a><a href="http://www.lib.berkeley.edu/MRC/philosophymovies.html"><br /></a></li></ul><ul><li><a href="http://www.lib.berkeley.edu/MRC/filmpublicationsucb.html">Bibliography of UC Berkeley faculty publications in film and media studies</a></li></ul><ul><li><a href="http://www.lib.berkeley.edu/MRC/aging.html">Videography of documentaries related to aging and the elderly</a></li></ul><ul><li><a href="http://www.lib.berkeley.edu/MRC/elderlypix.html">Videography of movies featuring the elderly </a></li></ul><ul><li><a href="http://www.lib.berkeley.edu/MRC/socialclass.html">Social Class in the Movies videography</a></li></ul><ul><li><a href="http://www.lib.berkeley.edu/MRC/shorts.html">Videography of short films in the MRC collection </a></li></ul><ul><li><a href="http://www.lib.berkeley.edu/MRC/screenwriters.html">Videography of films by notable screenwriters</a></li></ul><p>&nbsp;</p><p>And just for the hell of it:</p><p>&#160;<a href="http://www.lib.berkeley.edu/MRC/musicmovies.html#appearances">Movie Appearances and Cameos by Musicians</a></p><p><img src="http://www.lib.berkeley.edu/MRC/dancerdark.jpg" alt="" width="200" height="291" /> </p><p>&nbsp;</p><p>&nbsp;</p><div class="item_footer"><p><small><a href="http://blogs.lib.berkeley.edu/mrc.php/2009/08/28/while-you-were-away-lolling-on-the-beach">Original post</a> blogged on <a href="http://b2evolution.net/">b2evolution</a>.</small></p></div>]]></content:encoded>
								<comments>http://blogs.lib.berkeley.edu/mrc.php/2009/08/28/while-you-were-away-lolling-on-the-beach#comments</comments>
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			<title>City Symphonies</title>
			<link>http://blogs.lib.berkeley.edu/mrc.php/2009/07/21/city-symphonies</link>
			<pubDate>Tue, 21 Jul 2009 18:48:59 +0000</pubDate>			<dc:creator>ghandman</dc:creator>
			<category domain="main">New Acquisitions of Note</category>			<guid isPermaLink="false">3030@http://blogs.lib.berkeley.edu/</guid>
						<description>&lt;p&gt;&lt;a name=&quot;d&quot; title=&quot;d&quot;&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;In the the 1920s the movies were still relatively young, and an evolving modernist aesthetic embraced all things new, sleek, fast, and urban.&amp;#160; Not surprisingly, a common focus of the cinematic avant-garde during this era was on the power, and excitement of cities. In both Europe and the US, a small genre of films that became know as &amp;quot;city symphonies&amp;quot; attempted to capture the spirit, uniqueness, and poetry of a city by assembling images of everyday life in that
city. These early films and their offsprings often utilized what film historian Bill Nichols has termed the &amp;quot;poetic mode&amp;quot; of documentary film production--an attempt to move away from the &amp;quot;objective&amp;quot; reality of a given situation or people in order to grasp at an inner &amp;quot;truth&amp;quot; that can only be conveyed by poetical manipulations of mood, tone, time, and space.&lt;/p&gt;&lt;p&gt;The Media Center collection includes the most significant examples of both 20s city symphonies, and latter-day examples of the mode.&amp;#160; Check out our holdings at:&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;http://www.lib.berkeley.edu/MRC/citysymphonies.html&quot;&gt;http://www.lib.berkeley.edu/MRC/citysymphonies.html &lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;#160;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/berlin.jpg&quot; alt=&quot;&quot; width=&quot;338&quot; height=&quot;450&quot; /&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/vertov.jpg&quot; alt=&quot;&quot; width=&quot;338&quot; height=&quot;450&quot; /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://blogs.lib.berkeley.edu/mrc.php/2009/07/21/city-symphonies&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://b2evolution.net/&quot;&gt;b2evolution&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><a name="d" title="d"></a> </p><p>In the the 1920s the movies were still relatively young, and an evolving modernist aesthetic embraced all things new, sleek, fast, and urban.&#160; Not surprisingly, a common focus of the cinematic avant-garde during this era was on the power, and excitement of cities. In both Europe and the US, a small genre of films that became know as &quot;city symphonies&quot; attempted to capture the spirit, uniqueness, and poetry of a city by assembling images of everyday life in that
city. These early films and their offsprings often utilized what film historian Bill Nichols has termed the &quot;poetic mode&quot; of documentary film production--an attempt to move away from the &quot;objective&quot; reality of a given situation or people in order to grasp at an inner &quot;truth&quot; that can only be conveyed by poetical manipulations of mood, tone, time, and space.</p><p>The Media Center collection includes the most significant examples of both 20s city symphonies, and latter-day examples of the mode.&#160; Check out our holdings at:</p><p><strong><a href="http://www.lib.berkeley.edu/MRC/citysymphonies.html">http://www.lib.berkeley.edu/MRC/citysymphonies.html </a></strong></p><p>&nbsp;</p><p>&#160;<img src="http://www.lib.berkeley.edu/MRC/berlin.jpg" alt="" width="338" height="450" /><img src="http://www.lib.berkeley.edu/MRC/vertov.jpg" alt="" width="338" height="450" /></p><p>&nbsp;</p><p>&nbsp;</p><div class="item_footer"><p><small><a href="http://blogs.lib.berkeley.edu/mrc.php/2009/07/21/city-symphonies">Original post</a> blogged on <a href="http://b2evolution.net/">b2evolution</a>.</small></p></div>]]></content:encoded>
								<comments>http://blogs.lib.berkeley.edu/mrc.php/2009/07/21/city-symphonies#comments</comments>
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			<title>New and Cool Acquisitions</title>
			<link>http://blogs.lib.berkeley.edu/mrc.php/2009/06/19/new-and-cool-acquisitions</link>
			<pubDate>Fri, 19 Jun 2009 20:03:35 +0000</pubDate>			<dc:creator>ghandman</dc:creator>
			<category domain="main">New Acquisitions of Note</category>			<guid isPermaLink="false">2919@http://blogs.lib.berkeley.edu/</guid>
						<description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;http://www.bullfrogfilms.com/catalog/secr.html&quot;&gt;Secrecy&lt;/a&gt;. &amp;#160;&lt;/strong&gt; An examination of secrecy in the United States government, exploring the
tensions between freedom of information and national security....
between our safety as a nation, and our ability to function as a
democracy. &lt;strong&gt;DVD&amp;#160; X801&lt;/strong&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;&amp;#160;&lt;strong&gt;&lt;a href=&quot;http://www.edition-filmmuseum.com/product_info.php/info/p49_Crazy-Cin-matographe--Europ-isches-Jahrmarktkino-1896-1916.html/XTCsid/c041446b8279b9669a228836e791d0d8&quot;&gt;Crazy cin&amp;#233;matographe [videorecording] : europ&amp;#228;isches  Jahrmarktkino 1896-1916&lt;/a&gt;&amp;#160; &lt;/strong&gt;Features 50 short films with piano scores from early fairground and
traveling cinemas which contributed to the rapid establishment of the
cinematograph as a popular medium. &amp;quot;European Cinema of Attractions,
1896-1916&amp;quot; shows, in a varied sequence, rarities from the treasures of
European film archives ranging from Danish anarchisit slapstick to
Scottish X-ray films and a Belgium film showing a hunt. &amp;quot;Local films
from the Greater Region, 1902-1914&amp;quot; presents a forgotten genre which
was, in its day, was a real crowd puller ... traveling cinema. &lt;strong&gt;DVD X767&lt;/strong&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Doris Chase collected works. Volume 1. &lt;/strong&gt;Painter and teacher, sculptor of monumental kinetic forms, Doris Chase
is best known as a pioneer in the field of dance for the camera.
Beginning in the 1970s, she produced more than fifty videos now
regarded as key works in the history of video art. This collection
features her most important works. In Full circle: the work of Doris
Chase she explains her work in various media from painting on flat
surfaces through sculpture in wood, plexiglass, plastic, and metal, to
film and videotape. The seven remaining films showcase Chase's film
production work in dance. Full circle : the work of Doris Chase / producer, Elizabeth Wood (ca 10
min.) -- Tall arches / choreographer, Mary Staton ; music, Vito Ricci ;
dancers, Cynthia Robertson, Mary Staton, Melissa Teske ; produced by
Doris Chase (ca. 7 min.) -- Rocking orange / choreographer, Mary Staton
; music, George Kleinsinger ; dancers, Cynthia Robertson, Mary Staton,
Melissa Teske ; produced by Doris Chase (3 min. 30 sec.) -- Moon gates
/ choreographer, Mary Staton ; music, George Kleinsinger ; dancers,
Cynthia Robertson, Mary Staton, Melissa Teske ; produced by Doris Chase
(5 min.) -- Doris Chase dance series (ca. 8 min.); Improvisation (4
min. 23 sec.) / dancer, Kei Takei -- Doris Chase dance series / dancer,
Gus Solomons, Jr. ; music, George Kleinsinger (ca. 8 min.) -- Doris
Chase dance series in Brooklyn / dancer, Cynthia Anderson ; music,
Laurie Spiegel (ca. 13 min.) &lt;strong&gt;DVD X812&lt;/strong&gt; &lt;/p&gt;&lt;p&gt;&lt;strong&gt;Mickey Mouse club presents Annette. 1957-58 season&amp;#160; &lt;/strong&gt;Chosen by Walt Disney himself as an original cast member, Annette soon
became the most popular Mousketeer. Showcased here is her entire series
from &amp;quot;Walt Disney Presents: Annette&amp;quot; about a young country girl who
moves to the suburbs to live with her well-to-do aunt and uncle and
learns to adapt amongst her peers, without changing who she is.&amp;#160; &lt;strong&gt;DVD X868 &lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.whokilledwalterbenjamin.com/&quot;&gt;Who Killed Walter Benjamin (&lt;strong&gt;Qui&amp;#233;n mat&amp;#243; a Walter Benjamin--) &lt;/strong&gt;&lt;/a&gt;Revisits Portbou, Spain and the suspicious circumstances surrounding
the death of Walter Benjamin in 1940, one of the 20th century's
greatest thinkers. As an emigrant German-Jew, a radical writer and a
fierce critic of Nazism, he would have been well-known to the Gestapo
and it is a well documented fact that the Spanish border police were
cooperating with the Germans. When he fled from Germany was Benjamin
aware that Portbou was a pro-Franco town virtually occupied by the
Nazis?&amp;#160; DVD X755&lt;/p&gt;&lt;p&gt;&amp;#160;&lt;strong&gt;Le cin&amp;#233;ma de mai 68 : une histoire. Volume 1.&lt;/strong&gt; Features sixteen short documentary films about the student and workers'
movements in France which culminated in protests and riots in May 1968.&lt;/p&gt;&lt;p&gt;Disc 1. Le premier mai &amp;#224; Saint-Nazaire / un film de Marcel Trillat et
Hubert Knapp (20 min., 1967). -- Berlin 68-Rudi Dutschke / un film de
l'ARC, sous la direction de Michel Andrieu et Jacques K&amp;#233;badian (41
min., 1968). -- La glu / un film de Edouard Hayem (19 min., 1968). --
Cl&amp;#233;on / Alain Laguarda (27 min., 1968). -- Nantes Sud Aviation / un
film de l'ARC ; Pierre-William Glenn et Michel Andrieu (30 min., 1968)
-- Disc 2. Ce n'est qu'un d&amp;#233;but / un film de l'ARC ; r&amp;#233;alis&amp;#233; par Michel
Andrieu (10 min., 1968). -- Le joli mois de mai / un film de l'ARC (33
min., 1968). -- CA13, Comit&amp;#233; d'action du treizi&amp;#232;me / un film de l'ARC
(40 min., 1968). -- Mikono / un film de l'ARC ; r&amp;#233;alis&amp;#233; par Jean-Michel
Humeau (11 min, 1968). -- Le Droit &amp;#224; la parole / un film de l'ARC ;
sous la direction de Michel Andrieu et Jacques K&amp;#233;badian (52 min.,
1968). -- Avec les cheminots du d&amp;#233;p&amp;#244;t SNCF de Paris Sud-Ouest / un film
de Fernand Moskowicz (10 min., 1968/2008) -- Disc 3. Oser lutter, oser
vaincre / Groupe ligne rouge (Jean-Pierre Thorn, 88 min., 1968). --
Citro&amp;#235;n-Nanterre / un film de Guy Devart et Edouard Hayem (63 min.,
1968). -- La Reprise du travail aux usines Wonder / Pierre Bonneau et
Jacques Willemont (9 min., 1968) -- Disc 4. &amp;#201;coute Joseph nous sommes
tous solidaires / un film de Jean Lefaux (56 min., 1968). -- Les Deux
marseillaises / un film de Andr&amp;#233; S. Labarthe et Jean-Louis Comolli (120
min., 1968). -- L'atelier de recherche cin&amp;#233;matographie en mai 68 / par
S&amp;#233;bastien Layerle (article published in &amp;quot;Le cin&amp;#233;ma militant reprend le
travail&amp;quot; Cin&amp;#233;mAction no 110, 2004)&amp;#160; &lt;strong&gt;DVD X752&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;http://www.filmakers.com/index.php?a=filmDetail&amp;amp;filmID=1376&quot;&gt;Slow food revolution&lt;/a&gt;&amp;#160; &lt;/strong&gt;

This film visits Italy, Mexico, and Australia to record the growing
international eco-gastronomic movement known as &amp;quot;slow food movement&amp;quot;.
In opposition to the &amp;quot;fast food&amp;quot; world, the goal of the movement is to
encourage people to slow down and enjoy food, protect traditional
culture and the environment, encourage regional food production, and
food education. DVD X92&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://blogs.lib.berkeley.edu/mrc.php/2009/06/19/new-and-cool-acquisitions&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://b2evolution.net/&quot;&gt;b2evolution&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><strong><a href="http://www.bullfrogfilms.com/catalog/secr.html">Secrecy</a>. &#160;</strong> An examination of secrecy in the United States government, exploring the
tensions between freedom of information and national security....
between our safety as a nation, and our ability to function as a
democracy. <strong>DVD&#160; X801</strong>&#160;</p><p>&#160;<strong><a href="http://www.edition-filmmuseum.com/product_info.php/info/p49_Crazy-Cin-matographe--Europ-isches-Jahrmarktkino-1896-1916.html/XTCsid/c041446b8279b9669a228836e791d0d8">Crazy cin&#233;matographe [videorecording] : europ&#228;isches  Jahrmarktkino 1896-1916</a>&#160; </strong>Features 50 short films with piano scores from early fairground and
traveling cinemas which contributed to the rapid establishment of the
cinematograph as a popular medium. &quot;European Cinema of Attractions,
1896-1916&quot; shows, in a varied sequence, rarities from the treasures of
European film archives ranging from Danish anarchisit slapstick to
Scottish X-ray films and a Belgium film showing a hunt. &quot;Local films
from the Greater Region, 1902-1914&quot; presents a forgotten genre which
was, in its day, was a real crowd puller ... traveling cinema. <strong>DVD X767</strong> </p><p><strong>Doris Chase collected works. Volume 1. </strong>Painter and teacher, sculptor of monumental kinetic forms, Doris Chase
is best known as a pioneer in the field of dance for the camera.
Beginning in the 1970s, she produced more than fifty videos now
regarded as key works in the history of video art. This collection
features her most important works. In Full circle: the work of Doris
Chase she explains her work in various media from painting on flat
surfaces through sculpture in wood, plexiglass, plastic, and metal, to
film and videotape. The seven remaining films showcase Chase's film
production work in dance. Full circle : the work of Doris Chase / producer, Elizabeth Wood (ca 10
min.) -- Tall arches / choreographer, Mary Staton ; music, Vito Ricci ;
dancers, Cynthia Robertson, Mary Staton, Melissa Teske ; produced by
Doris Chase (ca. 7 min.) -- Rocking orange / choreographer, Mary Staton
; music, George Kleinsinger ; dancers, Cynthia Robertson, Mary Staton,
Melissa Teske ; produced by Doris Chase (3 min. 30 sec.) -- Moon gates
/ choreographer, Mary Staton ; music, George Kleinsinger ; dancers,
Cynthia Robertson, Mary Staton, Melissa Teske ; produced by Doris Chase
(5 min.) -- Doris Chase dance series (ca. 8 min.); Improvisation (4
min. 23 sec.) / dancer, Kei Takei -- Doris Chase dance series / dancer,
Gus Solomons, Jr. ; music, George Kleinsinger (ca. 8 min.) -- Doris
Chase dance series in Brooklyn / dancer, Cynthia Anderson ; music,
Laurie Spiegel (ca. 13 min.) <strong>DVD X812</strong> </p><p><strong>Mickey Mouse club presents Annette. 1957-58 season&#160; </strong>Chosen by Walt Disney himself as an original cast member, Annette soon
became the most popular Mousketeer. Showcased here is her entire series
from &quot;Walt Disney Presents: Annette&quot; about a young country girl who
moves to the suburbs to live with her well-to-do aunt and uncle and
learns to adapt amongst her peers, without changing who she is.&#160; <strong>DVD X868 <br /></strong></p><p><a href="http://www.whokilledwalterbenjamin.com/">Who Killed Walter Benjamin (<strong>Qui&#233;n mat&#243; a Walter Benjamin--) </strong></a>Revisits Portbou, Spain and the suspicious circumstances surrounding
the death of Walter Benjamin in 1940, one of the 20th century's
greatest thinkers. As an emigrant German-Jew, a radical writer and a
fierce critic of Nazism, he would have been well-known to the Gestapo
and it is a well documented fact that the Spanish border police were
cooperating with the Germans. When he fled from Germany was Benjamin
aware that Portbou was a pro-Franco town virtually occupied by the
Nazis?&#160; DVD X755</p><p>&#160;<strong>Le cin&#233;ma de mai 68 : une histoire. Volume 1.</strong> Features sixteen short documentary films about the student and workers'
movements in France which culminated in protests and riots in May 1968.</p><p>Disc 1. Le premier mai &#224; Saint-Nazaire / un film de Marcel Trillat et
Hubert Knapp (20 min., 1967). -- Berlin 68-Rudi Dutschke / un film de
l'ARC, sous la direction de Michel Andrieu et Jacques K&#233;badian (41
min., 1968). -- La glu / un film de Edouard Hayem (19 min., 1968). --
Cl&#233;on / Alain Laguarda (27 min., 1968). -- Nantes Sud Aviation / un
film de l'ARC ; Pierre-William Glenn et Michel Andrieu (30 min., 1968)
-- Disc 2. Ce n'est qu'un d&#233;but / un film de l'ARC ; r&#233;alis&#233; par Michel
Andrieu (10 min., 1968). -- Le joli mois de mai / un film de l'ARC (33
min., 1968). -- CA13, Comit&#233; d'action du treizi&#232;me / un film de l'ARC
(40 min., 1968). -- Mikono / un film de l'ARC ; r&#233;alis&#233; par Jean-Michel
Humeau (11 min, 1968). -- Le Droit &#224; la parole / un film de l'ARC ;
sous la direction de Michel Andrieu et Jacques K&#233;badian (52 min.,
1968). -- Avec les cheminots du d&#233;p&#244;t SNCF de Paris Sud-Ouest / un film
de Fernand Moskowicz (10 min., 1968/2008) -- Disc 3. Oser lutter, oser
vaincre / Groupe ligne rouge (Jean-Pierre Thorn, 88 min., 1968). --
Citro&#235;n-Nanterre / un film de Guy Devart et Edouard Hayem (63 min.,
1968). -- La Reprise du travail aux usines Wonder / Pierre Bonneau et
Jacques Willemont (9 min., 1968) -- Disc 4. &#201;coute Joseph nous sommes
tous solidaires / un film de Jean Lefaux (56 min., 1968). -- Les Deux
marseillaises / un film de Andr&#233; S. Labarthe et Jean-Louis Comolli (120
min., 1968). -- L'atelier de recherche cin&#233;matographie en mai 68 / par
S&#233;bastien Layerle (article published in &quot;Le cin&#233;ma militant reprend le
travail&quot; Cin&#233;mAction no 110, 2004)&#160; <strong>DVD X752</strong></p><p><strong><a href="http://www.filmakers.com/index.php?a=filmDetail&amp;filmID=1376">Slow food revolution</a>&#160; </strong>

This film visits Italy, Mexico, and Australia to record the growing
international eco-gastronomic movement known as &quot;slow food movement&quot;.
In opposition to the &quot;fast food&quot; world, the goal of the movement is to
encourage people to slow down and enjoy food, protect traditional
culture and the environment, encourage regional food production, and
food education. DVD X92</p><p>&nbsp;</p><div class="item_footer"><p><small><a href="http://blogs.lib.berkeley.edu/mrc.php/2009/06/19/new-and-cool-acquisitions">Original post</a> blogged on <a href="http://b2evolution.net/">b2evolution</a>.</small></p></div>]]></content:encoded>
								<comments>http://blogs.lib.berkeley.edu/mrc.php/2009/06/19/new-and-cool-acquisitions#comments</comments>
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			<title>Short Films in MRC</title>
			<link>http://blogs.lib.berkeley.edu/mrc.php/2009/06/11/short-films-in-mrc</link>
			<pubDate>Thu, 11 Jun 2009 18:31:44 +0000</pubDate>			<dc:creator>ghandman</dc:creator>
			<category domain="main">New Acquisitions of Note</category>			<guid isPermaLink="false">2887@http://blogs.lib.berkeley.edu/</guid>
						<description>&lt;p&gt;Short films don't get no respect!&amp;#160; For one thing, opportunities to see shorts are insanely limited:&amp;#160; they virtually never make it into mainstream theatrical distribution (except for animated shorts),&amp;#160; and the festivals that accept them for screening are few and very far between.&amp;#160; A pity...&amp;#160; Good short films, like well-crafted poems, are often wonders of structural and narrative economy offering big emotional impact. &amp;#160;&amp;#160; We've recently been doing some intensive videographic archeology to ferret out the shorts buried in MRC's collections--both fictional shorts and compilations of documentary shorts.&amp;#160; Check them out at:&amp;#160; &lt;a href=&quot;http://www.lib.berkeley.edu/MRC/shorts.html&quot;&gt;http://www.lib.berkeley.edu/MRC/shorts.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div style=&quot;text-align: center&quot;&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/shorts.jpg&quot; alt=&quot;&quot; width=&quot;206&quot; height=&quot;292&quot; /&gt;&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://blogs.lib.berkeley.edu/mrc.php/2009/06/11/short-films-in-mrc&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://b2evolution.net/&quot;&gt;b2evolution&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p>Short films don't get no respect!&#160; For one thing, opportunities to see shorts are insanely limited:&#160; they virtually never make it into mainstream theatrical distribution (except for animated shorts),&#160; and the festivals that accept them for screening are few and very far between.&#160; A pity...&#160; Good short films, like well-crafted poems, are often wonders of structural and narrative economy offering big emotional impact. &#160;&#160; We've recently been doing some intensive videographic archeology to ferret out the shorts buried in MRC's collections--both fictional shorts and compilations of documentary shorts.&#160; Check them out at:&#160; <a href="http://www.lib.berkeley.edu/MRC/shorts.html">http://www.lib.berkeley.edu/MRC/shorts.html</a></p><p>&nbsp;</p><div style="text-align: center"><img src="http://www.lib.berkeley.edu/MRC/shorts.jpg" alt="" width="206" height="292" /></div> <p>&nbsp;</p><div class="item_footer"><p><small><a href="http://blogs.lib.berkeley.edu/mrc.php/2009/06/11/short-films-in-mrc">Original post</a> blogged on <a href="http://b2evolution.net/">b2evolution</a>.</small></p></div>]]></content:encoded>
								<comments>http://blogs.lib.berkeley.edu/mrc.php/2009/06/11/short-films-in-mrc#comments</comments>
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			<title>Literary and Dramatic Adaptations, Readings, Performances</title>
			<link>http://blogs.lib.berkeley.edu/mrc.php/2009/05/18/literary-and-dramatic-adaptations-readin</link>
			<pubDate>Mon, 18 May 2009 17:55:57 +0000</pubDate>			<dc:creator>ghandman</dc:creator>
			<category domain="main">New Acquisitions of Note</category>			<guid isPermaLink="false">2814@http://blogs.lib.berkeley.edu/</guid>
						<description>&lt;p&gt;Over the years, MRC's web pages devoted to literary and dramatic adaptations and readings have, well, gotten out of hand.&amp;#160; The MRC collection of these materials has grown so large that simply listing titles on web pages has become unwieldy and sort of a pain to us.&amp;#160; As a partial solution to this videographic problem, we've created a searchable and browsable Lit Adaptation database:&amp;#160; &lt;a href=&quot;http://www.lib.berkeley.edu/MRC/LiteratureVid.html&quot;&gt;http://www.lib.berkeley.edu/MRC/LiteratureVid.html&lt;/a&gt;&amp;#160; Included in this database are movies based on literary and dramatic properties; movies with screenplays or adaptations by notable authors; and filmed dramatic performances, poetry, and prose reading.&lt;/p&gt;&lt;p&gt;Also check out MRC's sizeable listing of Shakespeare on film: &lt;a href=&quot;http://www.lib.berkeley.edu/MRC/ShakespeareVid.html &quot;&gt;http://www.lib.berkeley.edu/MRC/ShakespeareVid.html &lt;/a&gt;and MRC's videography of classical Greek drama: &lt;a href=&quot;http://www.lib.berkeley.edu/MRC/classicaltheater.html&quot;&gt;http://www.lib.berkeley.edu/MRC/classicaltheater.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;#160;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/beckett_on_film.jpg&quot; alt=&quot;&quot; width=&quot;288&quot; height=&quot;191&quot; /&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://blogs.lib.berkeley.edu/mrc.php/2009/05/18/literary-and-dramatic-adaptations-readin&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://b2evolution.net/&quot;&gt;b2evolution&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p>Over the years, MRC's web pages devoted to literary and dramatic adaptations and readings have, well, gotten out of hand.&#160; The MRC collection of these materials has grown so large that simply listing titles on web pages has become unwieldy and sort of a pain to us.&#160; As a partial solution to this videographic problem, we've created a searchable and browsable Lit Adaptation database:&#160; <a href="http://www.lib.berkeley.edu/MRC/LiteratureVid.html">http://www.lib.berkeley.edu/MRC/LiteratureVid.html</a>&#160; Included in this database are movies based on literary and dramatic properties; movies with screenplays or adaptations by notable authors; and filmed dramatic performances, poetry, and prose reading.</p><p>Also check out MRC's sizeable listing of Shakespeare on film: <a href="http://www.lib.berkeley.edu/MRC/ShakespeareVid.html ">http://www.lib.berkeley.edu/MRC/ShakespeareVid.html </a>and MRC's videography of classical Greek drama: <a href="http://www.lib.berkeley.edu/MRC/classicaltheater.html">http://www.lib.berkeley.edu/MRC/classicaltheater.html</a></p><p>&#160;<img src="http://www.lib.berkeley.edu/MRC/beckett_on_film.jpg" alt="" width="288" height="191" /></p><div class="item_footer"><p><small><a href="http://blogs.lib.berkeley.edu/mrc.php/2009/05/18/literary-and-dramatic-adaptations-readin">Original post</a> blogged on <a href="http://b2evolution.net/">b2evolution</a>.</small></p></div>]]></content:encoded>
								<comments>http://blogs.lib.berkeley.edu/mrc.php/2009/05/18/literary-and-dramatic-adaptations-readin#comments</comments>
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			<title>Cult Films, Exploitation Films, &#38; Sundry Midnight Movies</title>
			<link>http://blogs.lib.berkeley.edu/mrc.php/2009/04/06/cult-films-exploitation-films-aamp-sundr</link>
			<pubDate>Mon, 06 Apr 2009 23:36:46 +0000</pubDate>			<dc:creator>ghandman</dc:creator>
			<category domain="main">New Acquisitions of Note</category>			<guid isPermaLink="false">2613@http://blogs.lib.berkeley.edu/</guid>
						<description>&lt;p&gt;Cult Film: A film of any stripe that, while ignored or buried by the general market and/or critical Establishment, is kept alive, or resurrected, thanks to the devotion of a particular section of the audience--often responding to the very elements, extremes, or eccentricities that saw the films &amp;quot;fail&amp;quot; (commercially) in the first place.&amp;#160; --Damien Love&lt;br /&gt;&lt;br /&gt;Classical exploitation films can be described as &amp;quot;as a marginal cinema operating &amp;quot;in the shadow of Hollywood&amp;quot; from the 1920s through the 1950s, dedicated to &amp;quot;dealing with topics that censorship bodies and the organized industry's self-regulatory mechanisms prohibited&amp;quot;&amp;#160; &amp;#160;&lt;br /&gt;&lt;em&gt;[&amp;quot;Bold! Daring! Shocking! True!&amp;quot;: A History of Exploitation Films, 1919-1959.&amp;#160;&lt;/em&gt; Eric Schaefer. Durham, N.C.: Duke University Press, 1999]&lt;br /&gt;&lt;br /&gt;Lurking in the cinematic ooze somewhere well below the surface of the cleanly Hollywood boxoffice mainstream are the movies your mother told you not to watch (or had no idea your were watching in the first place).&amp;#160; The history of sound movies is filled with such thrown-together potboilers and sleazy oddities, films filled with lurid sex, vice, the seamy underbelly of modern life--all offered up for the price of admission.&amp;#160; Viewed in the right light, such films often have a addictive vitality and campy humor all their own--quintessential cinematic guilty pleasures.&amp;#160; Looked at in another light, they provide strange and often fascinating insights into the fantasies, fetishes, and taboos of the eras in which they were cobbled together.&lt;br /&gt;&lt;/p&gt;&lt;p&gt;MRC continues to collect a representative sampling of these midnight movies:&amp;#160; check out the videography at: &lt;a href=&quot;http://www.lib.berkeley.edu/MRC/cultfilms.html&quot;&gt;http://www.lib.berkeley.edu/MRC/cultfilms.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;A bibliography of books and articles about cult films and exploitation films is posted at:&amp;#160; &lt;a href=&quot;http://www.lib.berkeley.edu/MRC/cultbib.html&quot;&gt;http://www.lib.berkeley.edu/MRC/cultbib.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/Assassin_Youth.jpg&quot; alt=&quot;&quot; width=&quot;187&quot; height=&quot;285&quot; /&gt;&lt;img src=&quot;http://www.lib.berkeley.edu/MRC/maniacs.jpg&quot; alt=&quot;&quot; width=&quot;180&quot; height=&quot;285&quot; /&gt; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://blogs.lib.berkeley.edu/mrc.php/2009/04/06/cult-films-exploitation-films-aamp-sundr&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://b2evolution.net/&quot;&gt;b2evolution&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p>Cult Film: A film of any stripe that, while ignored or buried by the general market and/or critical Establishment, is kept alive, or resurrected, thanks to the devotion of a particular section of the audience--often responding to the very elements, extremes, or eccentricities that saw the films &quot;fail&quot; (commercially) in the first place.&#160; --Damien Love<br /><br />Classical exploitation films can be described as &quot;as a marginal cinema operating &quot;in the shadow of Hollywood&quot; from the 1920s through the 1950s, dedicated to &quot;dealing with topics that censorship bodies and the organized industry's self-regulatory mechanisms prohibited&quot;&#160; &#160;<br /><em>[&quot;Bold! Daring! Shocking! True!&quot;: A History of Exploitation Films, 1919-1959.&#160;</em> Eric Schaefer. Durham, N.C.: Duke University Press, 1999]<br /><br />Lurking in the cinematic ooze somewhere well below the surface of the cleanly Hollywood boxoffice mainstream are the movies your mother told you not to watch (or had no idea your were watching in the first place).&#160; The history of sound movies is filled with such thrown-together potboilers and sleazy oddities, films filled with lurid sex, vice, the seamy underbelly of modern life--all offered up for the price of admission.&#160; Viewed in the right light, such films often have a addictive vitality and campy humor all their own--quintessential cinematic guilty pleasures.&#160; Looked at in another light, they provide strange and often fascinating insights into the fantasies, fetishes, and taboos of the eras in which they were cobbled together.<br /></p><p>MRC continues to collect a representative sampling of these midnight movies:&#160; check out the videography at: <a href="http://www.lib.berkeley.edu/MRC/cultfilms.html">http://www.lib.berkeley.edu/MRC/cultfilms.html</a></p><p>A bibliography of books and articles about cult films and exploitation films is posted at:&#160; <a href="http://www.lib.berkeley.edu/MRC/cultbib.html">http://www.lib.berkeley.edu/MRC/cultbib.html</a></p><p><img src="http://www.lib.berkeley.edu/MRC/Assassin_Youth.jpg" alt="" width="187" height="285" /><img src="http://www.lib.berkeley.edu/MRC/maniacs.jpg" alt="" width="180" height="285" /> </p><p>&nbsp;</p><div class="item_footer"><p><small><a href="http://blogs.lib.berkeley.edu/mrc.php/2009/04/06/cult-films-exploitation-films-aamp-sundr">Original post</a> blogged on <a href="http://b2evolution.net/">b2evolution</a>.</small></p></div>]]></content:encoded>
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