Secrecy. An examination of secrecy in the United States government, exploring the tensions between freedom of information and national security.... between our safety as a nation, and our ability to function as a democracy. DVD X801
Crazy cinématographe [videorecording] : europäisches Jahrmarktkino 1896-1916 Features 50 short films with piano scores from early fairground and traveling cinemas which contributed to the rapid establishment of the cinematograph as a popular medium. "European Cinema of Attractions, 1896-1916" shows, in a varied sequence, rarities from the treasures of European film archives ranging from Danish anarchisit slapstick to Scottish X-ray films and a Belgium film showing a hunt. "Local films from the Greater Region, 1902-1914" presents a forgotten genre which was, in its day, was a real crowd puller ... traveling cinema. DVD X767
Doris Chase collected works. Volume 1. Painter and teacher, sculptor of monumental kinetic forms, Doris Chase is best known as a pioneer in the field of dance for the camera. Beginning in the 1970s, she produced more than fifty videos now regarded as key works in the history of video art. This collection features her most important works. In Full circle: the work of Doris Chase she explains her work in various media from painting on flat surfaces through sculpture in wood, plexiglass, plastic, and metal, to film and videotape. The seven remaining films showcase Chase's film production work in dance. Full circle : the work of Doris Chase / producer, Elizabeth Wood (ca 10 min.) -- Tall arches / choreographer, Mary Staton ; music, Vito Ricci ; dancers, Cynthia Robertson, Mary Staton, Melissa Teske ; produced by Doris Chase (ca. 7 min.) -- Rocking orange / choreographer, Mary Staton ; music, George Kleinsinger ; dancers, Cynthia Robertson, Mary Staton, Melissa Teske ; produced by Doris Chase (3 min. 30 sec.) -- Moon gates / choreographer, Mary Staton ; music, George Kleinsinger ; dancers, Cynthia Robertson, Mary Staton, Melissa Teske ; produced by Doris Chase (5 min.) -- Doris Chase dance series (ca. 8 min.); Improvisation (4 min. 23 sec.) / dancer, Kei Takei -- Doris Chase dance series / dancer, Gus Solomons, Jr. ; music, George Kleinsinger (ca. 8 min.) -- Doris Chase dance series in Brooklyn / dancer, Cynthia Anderson ; music, Laurie Spiegel (ca. 13 min.) DVD X812
Mickey Mouse club presents Annette. 1957-58 season Chosen by Walt Disney himself as an original cast member, Annette soon
became the most popular Mousketeer. Showcased here is her entire series
from "Walt Disney Presents: Annette" about a young country girl who
moves to the suburbs to live with her well-to-do aunt and uncle and
learns to adapt amongst her peers, without changing who she is. DVD X868
Who Killed Walter Benjamin (Quién mató a Walter Benjamin--) Revisits Portbou, Spain and the suspicious circumstances surrounding the death of Walter Benjamin in 1940, one of the 20th century's greatest thinkers. As an emigrant German-Jew, a radical writer and a fierce critic of Nazism, he would have been well-known to the Gestapo and it is a well documented fact that the Spanish border police were cooperating with the Germans. When he fled from Germany was Benjamin aware that Portbou was a pro-Franco town virtually occupied by the Nazis? DVD X755
Le cinéma de mai 68 : une histoire. Volume 1. Features sixteen short documentary films about the student and workers' movements in France which culminated in protests and riots in May 1968.
Disc 1. Le premier mai à Saint-Nazaire / un film de Marcel Trillat et Hubert Knapp (20 min., 1967). -- Berlin 68-Rudi Dutschke / un film de l'ARC, sous la direction de Michel Andrieu et Jacques Kébadian (41 min., 1968). -- La glu / un film de Edouard Hayem (19 min., 1968). -- Cléon / Alain Laguarda (27 min., 1968). -- Nantes Sud Aviation / un film de l'ARC ; Pierre-William Glenn et Michel Andrieu (30 min., 1968) -- Disc 2. Ce n'est qu'un début / un film de l'ARC ; réalisé par Michel Andrieu (10 min., 1968). -- Le joli mois de mai / un film de l'ARC (33 min., 1968). -- CA13, Comité d'action du treizième / un film de l'ARC (40 min., 1968). -- Mikono / un film de l'ARC ; réalisé par Jean-Michel Humeau (11 min, 1968). -- Le Droit à la parole / un film de l'ARC ; sous la direction de Michel Andrieu et Jacques Kébadian (52 min., 1968). -- Avec les cheminots du dépôt SNCF de Paris Sud-Ouest / un film de Fernand Moskowicz (10 min., 1968/2008) -- Disc 3. Oser lutter, oser vaincre / Groupe ligne rouge (Jean-Pierre Thorn, 88 min., 1968). -- Citroën-Nanterre / un film de Guy Devart et Edouard Hayem (63 min., 1968). -- La Reprise du travail aux usines Wonder / Pierre Bonneau et Jacques Willemont (9 min., 1968) -- Disc 4. Écoute Joseph nous sommes tous solidaires / un film de Jean Lefaux (56 min., 1968). -- Les Deux marseillaises / un film de André S. Labarthe et Jean-Louis Comolli (120 min., 1968). -- L'atelier de recherche cinématographie en mai 68 / par Sébastien Layerle (article published in "Le cinéma militant reprend le travail" CinémAction no 110, 2004) DVD X752
Slow food revolution This film visits Italy, Mexico, and Australia to record the growing international eco-gastronomic movement known as "slow food movement". In opposition to the "fast food" world, the goal of the movement is to encourage people to slow down and enjoy food, protect traditional culture and the environment, encourage regional food production, and food education. DVD X92
Short films don't get no respect! For one thing, opportunities to see shorts are insanely limited: they virtually never make it into mainstream theatrical distribution (except for animated shorts), and the festivals that accept them for screening are few and very far between. A pity... Good short films, like well-crafted poems, are often wonders of structural and narrative economy offering big emotional impact. We've recently been doing some intensive videographic archeology to ferret out the shorts buried in MRC's collections--both fictional shorts and compilations of documentary shorts. Check them out at: http://www.lib.berkeley.edu/MRC/shorts.html

Over the years, MRC's web pages devoted to literary and dramatic adaptations and readings have, well, gotten out of hand. The MRC collection of these materials has grown so large that simply listing titles on web pages has become unwieldy and sort of a pain to us. As a partial solution to this videographic problem, we've created a searchable and browsable Lit Adaptation database: http://www.lib.berkeley.edu/MRC/LiteratureVid.html Included in this database are movies based on literary and dramatic properties; movies with screenplays or adaptations by notable authors; and filmed dramatic performances, poetry, and prose reading.
Also check out MRC's sizeable listing of Shakespeare on film: http://www.lib.berkeley.edu/MRC/ShakespeareVid.html and MRC's videography of classical Greek drama: http://www.lib.berkeley.edu/MRC/classicaltheater.html

Cult Film: A film of any stripe that, while ignored or buried by the general market and/or critical Establishment, is kept alive, or resurrected, thanks to the devotion of a particular section of the audience--often responding to the very elements, extremes, or eccentricities that saw the films "fail" (commercially) in the first place. --Damien Love
Classical exploitation films can be described as "as a marginal cinema operating "in the shadow of Hollywood" from the 1920s through the 1950s, dedicated to "dealing with topics that censorship bodies and the organized industry's self-regulatory mechanisms prohibited"
["Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919-1959. Eric Schaefer. Durham, N.C.: Duke University Press, 1999]
Lurking in the cinematic ooze somewhere well below the surface of the cleanly Hollywood boxoffice mainstream are the movies your mother told you not to watch (or had no idea your were watching in the first place). The history of sound movies is filled with such thrown-together potboilers and sleazy oddities, films filled with lurid sex, vice, the seamy underbelly of modern life--all offered up for the price of admission. Viewed in the right light, such films often have a addictive vitality and campy humor all their own--quintessential cinematic guilty pleasures. Looked at in another light, they provide strange and often fascinating insights into the fantasies, fetishes, and taboos of the eras in which they were cobbled together.
MRC continues to collect a representative sampling of these midnight movies: check out the videography at: http://www.lib.berkeley.edu/MRC/cultfilms.html
A bibliography of books and articles about cult films and exploitation films is posted at: http://www.lib.berkeley.edu/MRC/cultbib.html

Most of the people who know and use the MRC collection come for the video. Not surprising given the scope and depth of the collection (and the fact that EVERYONE loves movies). What most MRC users do not know, however, is that the collection also includes a bounty of sound recordings on cassette and audio CD. The audio collection includes literary and dramatic readings; interviews and speeches; old time radio programs; comedy recordings; a large sound effects library; and selected, historic recordings of protest and other political songs, labor songs, and folk music.
The following is just a random sampling of these audio treasures. Also be sure to check out MRC's collection of online audio recordings at: http://www.lib.berkeley.edu/MRC/onlinemedia.html